Catherine Jo Morgan - Art for Energy™

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Testimonials about Morgan Bowls

bead detail from "Take Heart" by CJ MorganReal Testimonials from Real People

"Your pieces are wonderful! By all means send as many photos as you wish." Then..."Wow! What a package. What beautiful work and photos. You made my day....and it's late and I was getting tired but your output perked me up....Your photos are beautiful enough to frame and hang on a wall!" Dona Meilach, author of The Contemporary Blacksmith, A Schiffer Book for Collectors, 2000. (Three iron Morgan bowls are featured in the book.)

"I am sitting in front of my beautiful "Circle of Stones" - so pleased and blessed to won a piece of your art. Thank you for your magical creations you share with us." (collector in Atlanta, GA)

from a review by Barbara McKenzie, in The Atlanta Journal, April 29, 1987, of "The Blacksmith's Art" exhibit at the Madison-Morgan Cultural Center in Madison, GA - "Other particularly elegant functional objects include...an openwork fruit bowl by Catherine Morgan."

"I look + look. That "dish" has meaning. Casts strong, sharp shadow....It inspires." artist Margaret Rigg, St. Petersburg, FL

"I have watched with interest and pride the way she [Catherine Morgan] brings such a delicate and sensitive quality to her work. Her integrating iron and paper may be a new field in craftsmanship." master blacksmith, Francis Whitaker, Carbondale, CO

"I am greatly impressed with her ability to bring new ideas to iron work, and to give her work an unequalled quality of delicacy and grace." Master blacksmith Francis Whitaker, Carbondale, CO

"She has the spirit that is contagious, her love for her work shines through the toughest jobs." Blacksmith Walter Scadden, Manchester, CT

 

paper from "Energy Transformer" by CJ MorganFantasy Testimonials that Ive Made Up

I thought it would be fun to share some of my fantasy testimonials. I got this idea from novelist Gail Godwin, who wrote that she could sometimes save writing that had lost its glow, by writing a fantasy review, imagining what critics said after the piece was published. I've used this sometimes as part of my studio process, to help me see where the work wants to go.

So remember, these are all in my imagination!

"This is my new piece of art. Isn't it fantastic? Who would have thought that iron and paper would make something so beautiful and radiant? I just love it."

"This is my new Morgan bowl, one of her newest. You've heard of Catherine Jo Morgan? She started as a psychologist, then became a blacksmith, and then she started making these bowls that use psychology. So the bowls are designed to help people become more themselves - freer, happier, more centered and secure. Buying a Morgan bowl is like giving yourself a happy childhood."

"I like the way the paper and iron harmonize. It's as if they need each other. And the whole piece makes me feel energized. I keep it on my dresser to help me face the day. And oddly enough, when I look at it at bedtime I feel calm and relaxed, ready to go to sleep. It reassures me."

"Somehow these Morgan bowls are energizing and calming at the same time."

"These are pieces that can change a whole room by changing its energy."

"I put a Morgan bowl in my waiting room. It serves as a kind of meditation piece. Now my patients are more relaxed and tuned into themselves by the time I see them. They're already opening up."

 


Typical alternate spellings for important words in this page include:

Additional keyword phrases that would help someone find this page include:

John Campbell Folk School, Penland art school, blacksmith training

 


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555 Stonebank Road, Clarkesville, GA 30523
Phone 800.305.0601 or 706.754.3812 - Fax 706.754.9262 - Email link to open email to Catherine Jo Morgan
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© 2004-05 Catherine Jo Morgan. All rights reserved. No images may be used without permission.
You may also be interested in Hand Forged Vessels, my online artist journal.
I've also designed a recreational tree climbing site, a woodturning site, and a site for an unusual school for children with learning differences.